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Centaur font family
Sign in to give feedback. From Wikipedia, the free encyclopedia. Monotype typefaces Old style serif typefaces Typefaces and fonts introduced in Letterpress typefaces Digital typefaces. Rogers’ revival was originally drawn as titling capitals in for the Metropolitan Museum of Art. Bembo’s default italic is based on the work of Centaur typeface contemporary Giovanni Antonio Taglienteanother calligrapher-turned-printer.
Retrieved 11 April Cemtaur are approximate only.
In the late nineteenth century, Jenson’s centaur typeface had become a popular model for William Morris and then other fine printers of the Arts and Crafts movement. Bruce Rogers, one of the giants of the United States typographic centaur typeface, designed Centaur in for the Metropolitan Museum to use for titles. William Morris ‘s Golden Type began revivals of the Jenson style in with a more solid structure no centaaur italic was created for it ; other Jenson interpretations included the Doves Type while ATF’s Satanick was a direct imitation of it.
It also modernises Jenson’s two-way serifs on the top of the ‘M’ in favour of one-way serifs.
centaur typeface Retrieved 28 December Lawson, Anatomy of a Typeface David R. Retrieved 29 December It was given widespread release by the British branch of Monotypepaired with an italic designed by calligrapher Frederic Warde and based on the slightly later work of calligrapher and printer Ludovico Vicentino degli Arrighi.
Retrieved 9 July Centaur centaur typeface some of the irregularities of early type compared to later designs. Photina News Plantin Calvert Retrieved 20 September It cannot be disguised that, in centauur opinion of the writer, each version has lost some of the vigor of the version that preceded it.
Centaur (typeface) – Wikipedia
Centaur is a serif typeface by book and typeface designer Centaur typeface Rogersbased on the Renaissance -period printing of Nicolas Jenson around The dots tyleface the i and j are very visibly shifted to the right, a feature of Jenson’s original design.
Hebraic Aspects of the Renaissance: Selected essays on the history of letter-forms in manuscript and print Paperback reissue, digitally printed version. In other projects Wikimedia Centaur typeface. The Cross of Lead by Avi”.
Retrieved 11 December Other Monotype fonts of the hot metal period inspired by Renaissance printing included the very popular Bembo with a roman based on a slightly later font used by Aldus ManutiusLutetia by Jan van Krimpen a more personal design, as opposed to a direct revival and the post-war Dante. The Cross of Leadset in the Middle Centaur typeface.
Italics did not exist in Jenson’s time, and so the inspiration for Centaur’s italic comes from thirty years later, in the calligraphy and printing of Ludovico Vicentino degli Arrighi. Wikipedia articles centaur typeface GND identifiers. The palaeotypography of the French Renaissance.